On September 24, I saw a terrific rendition of Tennessee Williams’ “The Glass Menagerie” at the local performing arts center.
Earlier that week, I was starting to formulate a concept for a full-length play. I don’t write too many of them. In 2014 I wrote “The Secrets of the Magic Pool,” and in 2011 I wrote “Romans on the Couch.” I’ve collaborated on other full-length musicals and plays with students, plus I write dozens of short 10-minute plays for a variety of uses. I was starting to latch onto an idea, but remained unsure if it would come to fruition.
Well, Sept 24 arrived. I was riveted to the dialogue and the “zoom-in” focus he provided by intensely going after only four characters. The setting was simple, but the issues of life, dreams, hopes, and family lingered large. As I left the play that night, I decided I would follow Williams and make my new play only about four characters. One setting. One weekend. And I would push and develop the characters with purposeful intent to drive home the overarching themes of the play.
Yesterday, October 9th, I finished my play. (First complete draft, that is.) I became so consumed with the characters and plot that I grabbed every bit of time I could over 14 days to finish this full-length, 17000 word, one-hour and forty-five minute play. Over the weekend, I took Friday evening, Saturday afternoon, and finally, Sunday afternoon to finish it. It’s called “The Last Bastion.”
I’m really pleased with it so far.
I don’t want to share any specifics about it yet, but I’ll be pushing it forward over the next few months. I need to do a lot of editing and re-writes, correct character issues, and work on word usage, so that will take some time. Once I’m happy with the overall script, I intend to do some workshop readings of it, hopefully with some professional actor friends, to get feedback for revisions. I want to send it to theatres in 2017 in hopes someone would be interested in debuting it. It’s an adult piece, blending politics, love, religion, culture, and family.
I love productive writing sessions, and they typically come through strong inspiration and solid source material. Thanks T. Williams for the former.