I’m a concise writer. I know that.
I’ve learned to slow down my writing over the years because at times it can be at breakneck speeds, and there are rumors about that some readers like to stew in the words of a story and not have to gulp them all down from the end of a fire hose.
So length and word count are always on the forefront of my mind when I’m writing. That’s not always a good thing. I’ve heard that the best length of any story is precisely the length it should be. Some stories are meant to be short. Others long. Many others somewhere in-between.
The general standard (some would dispute this) for length is above 20,000 words is a novella and above 50,000 words a novel. If you are well below 20,000, you’ve simply written a short story.
As I’m narrowing in on the ending to my trilogy, I’m finding that volume three is feeling shorter than the other two. Is that bad?
Well, it all depends, and this is where it gets messy and subjective. This is where a fresh pair of eyes and a good editor can help guide you.
I want an ending that’s satisfying but doesn’t drag. That’s well developed but not too short that the reader feels shortchanged. (As a side note, I know that not all readers think alike. Some will never be satisfied no matter the length, but that’s another post.)
How do you navigate your story so it’s exactly right? You can’t. No story is ever exactly right. But you can make decisions which will help guide in the right direction.
First, don’t fret on word count. If the story arc and development leads you to 40,000 rather than 70,000, then please leave it at 40. No one wants to read 30,000 useless words.
Second, make sure your story development delivers on all accounts. Characters. Have you satisfactorily shown their development? Do their decisions in the book make sense in a chronological way? Have you shown the readers what they are desiring and why they do the things they have done? If not, expand. If yes, move on and don’t say anymore. In regards to subplots, are they all necessary. Yes, you might be able to expand your novel another 10% by telling us a backstory or weaving a secondary thread through the plot, but is it necessary. Completely necessary to show characterization, so show foreshadowing, to bring the plot to realization? If you can’t answer yes to all of these, then nix it. Perhaps write it a short story instead. Don’t bog down the storyline in unwanted information.
Third, slow down and let the language simmer a little more. You always want to keep your language short and concise, but don’t be afraid to expound a little. I’m writing this especially for me. Add that description–especially amidst the dialogue. Because I just love dialogue and I can write some of my draft chapters almost like a play. Not cool! Think of the reader. Show what happens. Describe the movements. Describe the scenery. But don’t feel compelled to write twenty pages about the topography of the protagonists hometown. (Please no! Keep it moving, remember)
A good editor will help you with all of these because, honestly, it’s so hard to judge one’s own writing.
How about you? What helps you in your writing endeavors?