Most of my experience in doing lighting design for theatre was drawing a sketch of what I needed and handing it to a talented technician who actually knew what to do to make it happen.
The systems I worked with were good but old school. You know, strip lights, parcans, colored gels, fresnels, and ellipsoidals. All that stuff did the trick and I was, in conjunction with those talented technicians, able to create some pretty cool lighting landscapes for shows over the years.
I got my first taste of LEDs a few years back in a small venue. I was not impressed. These were obviously cheap LED lights. Some of the lighting nodules stopped working after a while. We had a terrible system for controlling them, and I kept thinking: give me a parcan any day over a LED. At least I can blast the stage with reliable light!
I have now switched my opinion about LED lights in theatre because of the brand new auditorium I’m now working in which installed the Source 4 LED. Wow! And double wow!
Our auditorium is equipped with 20 of the Source 4 Lustre units – 10 of them having the ellipsoidal zoom lens and 10 of the them having the Fresnel adapter. We also have 20 of the Source 4 LED Par lights and four of the magic dot.
Forty-four lights for theatre is not a lot. Probably will need another 20 at some point, BUT what these lights can do is impressive. I’ve been spending all of my free time learning the ETC Element console for controlling these bad boys. It’s a little overwhelming but also really fun.
Here’s what sticks out to me about the Source 4 LED. Brightness. These babies are bright and the zoom lens creates crisp outlines. The Fresnel lens creates beautiful soft light, which when coupled with the barn door attachment, can be directed in a myriad of ways.
Next. COLOR. Oh my goodness. The color that comes out of these LEDs is unparalleled. I wowed my students the other day but doing a color wash of the stage from a deep blue to a vibrant green to a hot red to every combination in between. All with a click of a mouse. No more changing gels!
This is impressive stuff, and I feel fortunate to be able to work with this system into the future.
Source 4 LEDs give theatre so many new options never before available to lighting designers. Imagination is the limit, so I hope my imagination will take-off and do something really special in this venue.
I know I’m going to enjoy the ride.