Last night ended another show. We had two successful showings of HOW TO BUILD A DICTATOR 2.0. It was loads of fun and had two great, responsive audiences.
The premise of the show is a political rally where people show up to nominate THE ONE for world leader. I can’t get into the gist of the show without giving away the punchline, but it’s a tremendously fun evening which includes a full party with food and drinks, with the venerable Wael Sedky gracing us on the strings. Yours truly even had an on-stage role which I clearly loved. I got to scare two boys with my loud voice. They were talking, so they deserved it.
This is experimental, black box, interactive theatre at its best.
Now I’ll give myself a month break and get ready for our next show in April. Here are a few shots of the evening.
Two years ago I debuted an experimental theatre piece of mine entitled “How to Build a Dictator.” It was directed by my talented former student and theatre wizard Ysabel Loh and it was part of the Penang Performing Arts Centre Black Box Experiments series. It was tremendously fun to put on. We had a great audience and they reacted wonderfully to this unique audience-interactive show.
Now, I’m introducing “How to Build a Dictator 2.0” I start production on it this weekend with a completely revamped script I just finished writing. It’s 25% longer with even more insane stuff happening which will completely confuse (and hopefully amuse) the audience. I held auditions for it last Sunday and I have a dozen great actors ready to roll on this, though they have NO idea what they are actually getting themselves into. And that’s the beauty of it.
I haven’t had a show since April, so it feels good to get working on one. I’ll be sure to post many updates as we go along and get closer to the show dates of early December. But for now, I’ll leave with our mock-up poster – courtesy of Ysabel Loh who designed this for the first dictator show. I feel like the design is set in stone. This is the branding for this show. So here we go. Let the fun begin.
Thanks to Jonathan Steffen for these shots from dress rehearsal for “How to Build a Dictator.” We had 23 students for our dress rehearsal as opposed to 142 for the real show. But they were a lively bunch. I had a blast getting on stage and acting for one of my first times ever. Here’s a glimpse of our show:
I’m very pleased to have my script “How to Build a Dictator” be part of penangpac’s Black Box Experiments Series for 2016. It’s a unique, audience participation piece which I can’t tell you much about because it’s meant to be experienced, not talked about. It’s not even meant to watched on video. Someone asked if they could record it, and after thinking a few minutes, I said ‘no’ because it wouldn’t be the same.
I can tell you that it is kind of like a political rally. There will be music. There will be food. There will be crazy antics and testimonials.
It’s directed by the wild and crazy Ysabel Loh, award winning young actor in her own right. She’s done a FABULOUS job with the piece as I knew she would.
Oh, and I’m actually on stage acting in this one. Strange, I know. But she wanted me to play a role and I agreed. It’s been a lot of fun so far.
I’ll be posting photos of the event later. It’s going to be a crazy night.
We, my crazy drama group, had our first rehearsal this morning for our experimental black-box piece which is coming to the Penang Performing Arts Centre for 1 night only on September 6.
There are two earth-shattering things (for me) which make this very different. First off, even though I wrote it, I’m not directing it. Talented and young and award-winner actress Ysabel Loh is directing her first performance, and she did an amazing job this morning, as I knew she would. It was kind of fun for me to sit back and watch.
The second earth-shattering difference for this piece is that I’M ACTING!!! I’m one of those very strange people – I teach acting, but I’m not an actor. I just learned everything I know through writing and then directing. But this time, I’m on-stage. I had to go through the memorization process earlier this week to get down my lines, and I’ve had to do everything I tell my actors to do. Well, I must admit that I enjoyed it. So I’ll be making my acting debut in front of a paying audience. Pretty cool. It’s going to be a blast.
This is a UNIQUE and rather deep piece about what influences society. The audience is going to be totally confused, but it will be a ton of fun.
An experimental, audience participation script that I wrote over Christmas has been chosen for production at the Penang Performing Arts Centre on September 6 as part of their Black Box Experimental series. I’ve hired my super-talented, former actress Yzzy Loh to direct the piece, and she came up with the first graphic poster for the event. Here it is. Really cool, isn’t it? It’s going to be a fun and interesting night! More info to come.
One of the major units of my Intro to Theatre Arts class is a readers’ theatre which the entire class has to produce. The script doesn’t need to be memorized, but the story needs to “pop” on stage as if it is memorized. A staged reading might be a synonym for what we do. We use the stage. We have motion, action, fight-scenes, you name it! It’s a real theatrical show with everything you would expect – except for the lines aren’t memorized.
We’re producing The Pink Panther this year. As you know, I do mostly original dramas at our school, but during the readers’ theatre, I like to do well known scripts to mix it up a little. Here’s what we did the past few years:
2013 “Pillow Talk”
2014 “Arsenic & Old Lace”
2016 “The Pink Panther”
Another thing I insist on in our readers’ theatre is that the students are responsible for every aspect of the production. Student directed and student produced. I serve in advisory role as Executive Producer, collecting the big bucks but not doing any of the work.