Opening Tonight in Brooklyn: Safe Spaces

I’m thrilled to have my play “Safe Spaces” open tonight in Brooklyn at the Gallery Players Theatre as part of their Black Box New Play Festival. Unfortunately, I’m sitting 12,000 miles away and will miss the show which opens tonight and runs through Sunday afternoon – 4 shows!

So if you are in the NYC area, please do stop by and enjoy this and other plays this weekend. “Safe Spaces” is a satirical look at cultural appropriation with this premise: Madison, editor of the university campus newspaper, has been put into a safe space, isolated from the rest of campus, for an op-ed he published. He’s joined by Garner who was brought their after serving a pulled pork sandwich with the wrong cultural overtones. Madison and Garner deal with Dawes who shows up to give them insight into how they can be re-aligned and released from their safe space if they do as she says. Mayhem and ridiculous banter follows as Madison tries to understand the logic behind the safe space. Good luck!

I had a blast writing this play and I hope the audience will enjoy this world-premiere rendition of it.

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My First Play in New York City – June 8-11

I’m very excited to have my first play produced in New York. It’s a brand new short play entitled “Safe Spaces” and it will be performed at the Gallery Players Theater as part of their annual Black Box New Play Festival. I’ll write up more about the play later, but wanted get their poster out. Yes, my name’s on it!

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Farewell, Penang Performing Arts Centre (penangpac)! I will miss you!

At the conclusion of my last show at penangpac yesterday, I was highly honored by my friends there with this amazing parting gift. This was completely unexpected. I was bowled over by their thoughtfulness. I have grown my theatre arts background and experience at their famous stage 1 and stage 2 venues. So I thought, as a way of reminiscing, I’d list all the shows I had a part in since penangpac opened in 2011. It’s quite a list, and I completely enjoyed everyone of them.  But first a look at this amazing gift – a commemorative pewter Malaysian kris (asymmetrical dagger). It’s so awesome!

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So here’s my chronological, penangpac drama/musical list. I’m so grateful for everything.

  • November 2011 – Stage 2 – “Romans on the Couch-INTERACTIVE” (writer, director, producer)
  • November 2011 – Stage 1 – “Romans on the Couch” (writer, director, producer)
  • December 2011  – Stage 2 – “RLT Players’ present The Road Less Traveled” (first RLT show ever! – writer, director, producer)
  • May 2012 – Stage 1 – “Life with Stewart” (writer, director, producer)
  • September 2012 – Stage 2 – Short & Sweet Theatre (writer)
  • November 2012 – Stage 2 – RLT Players “Drive All Night) (writer, director, producer)
  • May 2013 – Stage 1 – “Grandparents’ War” (writer, director, producer)
  • September 2013 – Stage 2 – Short & Sweet Theatre (writer, director)
  • November 2013 – Stage 2 – RLT Players “Captured in Time & Space”
  • May 2014 – Stage 1 – “Boardwalk Melody: A Musical” (writer, director, producer)
  • September 2014 – Stage 2 – Short & Sweet Theatre (writer, director)
  • November 2014 – Stage 2 – RLT Players “For All Generations” (writer, director, producer)
  • May 2015 – Stage 1 – “A Tad of Trouble: A Musical” (writer, director, producer)
  • September 2015 – Stage 2 – Short & Sweet Theatre (writer, director)
  • December 2015 – Stage 2 – RLT Players “Tales of Wonder”
  • May 2016 – Stage 1 – “The Secrets of the Magic Pool” (writer, director, producer)
  • September 2016 – Stage 2 – penangpac Black Box Experiments “How to Build a Dictator” (writer, actor, producer)
  • November 2016 – Stage 2 – Short & Sweet Theatre (writer, director)
  • December 2016 – Stage 2 – RLT Players “Tales of Wonder II” (writer, director, producer”
  • January 2017 – Stage 2 – “The Last Bastion: A Staged Reading” (writer, actor)
  • May 2017 – Stage 2 – RLT Players “A Collection of Our Best” (writer, director, producer)
  • May 2017 – Stage 1 – “RLT Musical Revue” (writer, director, producer)

Wow! That’s 22 theatrical productions I had the privilege of being part of at penangpac. I shall miss it all very much.

Thank you, penangpac! Hopefully we shall see each again one day.

 

 

#19

This weekend, I’m producing my 19th full-length theatrical production in the past ten years. This one is called RLT Musical Revue, a compilation of the best musical moments and short musicals that I’ve produced in the past. It’s an eclectic and fun show, filled with talented singers, dancers, musicians, and actors. I’m so grateful for my brilliant co-director Christopher Ramos who actually knows music, while I simply pretend. But between us both, we’ve seen the show come together, a rough dress rehearsal last night notwithstanding, and I’m excited to see what will happen this Saturday. Two shows only. My last on in Penang. I’m going to miss it. Here are a few snippets which will be part of the show. (photos by Jonathan Steffen)

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The Show Ends

Last night, we capped off an amazing weekend of drama at the Penang Performing Arts Centre. Good responsive crowds watched as my amazing young actors perform everything from comedy, to dramatic storytelling, to hard hitting drama. It’s such an emotional thing for a writer and director to see the work they’ve toiled on for months finally come and then quickly go. But satisfying. So satisfying.

Once again, watching the shows these past couple of days, my belief in teenage drama has been reinforced. I don’t believe in high school drama. High school drama has such a negative stereotype, at least in my eyes. When you put the term ‘high school’ in front of drama, suddenly you aren’t taken seriously. The awards folks won’t look your way. There’s a connotation of inexperienced acting which ends up being nothing more than photo-ops for parents and relatives.

I believe in nothing like that. Actors are actors, whether aged 16 or 45. Whether they’ve have years of training under Adler and Meisner or whether they’re in their first theatre arts class. The requirements are the same. Preparation. Characterization. Mining the script. Making choices about movement, vocal qualities, and backstory. And when it’s all put together, any actor, with the right preparation and the right script, can impact an audience in wonderful and unexpected ways.

That’s what happened here the past couple of nights. And it happened with actors ranging from 15 to 18 with varying levels of experience. When expectations are high, the actors will hit it. I’ve seen it over and over. And the comments are amazing.

“I can’t believe these are kids.”

“They are so amazing.”

Yes, they are. Whether playing a grandpa or a child, a piece of fruit or a government bureaucrat. They rise to the occasion time and time again.

I stand amazed. And proud. So proud.

I’m going to miss this group so much!

At least I was smart enough to realize that doing one show in my final semester here would not be enough. RLT Musical is coming next week. It’s my saving grace. It has kept me from falling into drama depression.

So let’s do this, one more time.

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The World Crashing Down: AKA – “My Show is This Week”

I’m a writer. I love writing.

I’m a director. I really enjoying directing.

I’m a producer. I like producing.

Yes, there’s a distinct step-down there. Writing and directing unleashes the creative demon inside me in very different ways. Producing, well, that’s where the stress comes from.

And this week, four and a half months  of preparation comes to fruition, which really feels like the world crashing down around me. Actually, I’m sitting by the ocean as I type and each of those waves reminds me of something else I must get done before the show date.

Here’s a last minute list:

seating arrrangment – in a black box modular setting and we are still working on configuration.

Promotion – yes, must sell those remaining seats. But  luckily, tickets are going quickly.

FOH – Front of House – oh, this reminds me that I need to arrange front of house staff for each shows. Oops! Forgot this one.

Wednesday is bump-in day. All props, set pieces need to be transported. Then the massive task of rigging and focusing following our lighting plan. Then mic set-up and sound check. Then cues! NO! CUES!!!! It takes so long. Then adjust lights because the director wasn’t thinking ahead and got a new idea once he saw the lights.

Arrange food for the team. This is important.

Transport too!

And then technical rehearsal, and then our ONE CHANCE on-site dress rehearsal. Yes, we only get to perform in the venue once before the show date. It’s a massive challenge.

This, and more, is what I’m staring at this week, thus world-crashing-in felt appropriate.

Producing drama is the most work I’ve ever in any one task. But don’t get me wrong. It’s also the most rewarding. I love it all.

It’s going to be a great week!

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Shakespeare Demystified: MacBeth

I had the opportunity to see “MacBeth” performed in the accessible and always enjoyable stylings of the KL Shakespeare Players’ Series Shakespeare Demystified. This troupe brings Shakespeare to life for the modern audience by engaging the viewers by interspersing backstory and context into the original language of the Bard. It’s a terrific way to make these plays enjoyable and accessible to a modern audience who may not be too fond of the archaic and enigmatic ways of Shakespeare verse. I’ve seen many of their shows over the years including last year’s The Merchant of Venice, Hamlet, and my favorite The Merry Wives of Windsor. Once again, the troupe did not disappoint. They gave a spirited and engaging performance with minimal props and lighting changes. They did include wonderful live sound effects courtesy a troupe member on the bongo drum adding some wonderful sensory rhythms and effects to the experience.

The show began a little “thick” and slow as we tried to figure out who this MacBeth character was. Was he a hero as they tried to portray him? His heroic nature seemed a little overshadowed in this production, most likely because of time, making him seem less a tragic figure and more a villain, or perhaps a pawn of his evil wife.

But all of this mattered not because of the terrific chemistry between actors and the high energy performances which demanded justice for MacBeth’s treachery. And yes, he received it.

I’m a big fan of seeing Shakespeare live, and the KL Shakespeare Players’ once again provided a gripping and thrilling evening of theatre which I cannot recommend enough. They put a lot of work into this production, so at least you can do is spare a little of your cash for a great night of entertainment.

The run at penangpac finished yesterday, but they head to Kuala Lumpur to be featured at KLPAC so do make your way to support this superb show!

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