A new play of mine, “Covid Chips”, streamed over the weekend as part of the Gallery Players (Brooklyn) Black Box New Play Festival. If you missed it, you’re in luck. It’s now available on YouTube, and it’s only 12 minutes long, so please go check it out. Enjoy.
My new play “Covid Chips” will be part of Gallery Players (Brooklyn) Black Box New Play Festival starting tomorrow, Jan 28 and running through Sunday Jan 31 – streaming daily @ 7:30PM EST.
It’s very easy to watch the show. Click on the link below.
I wrote this over the summer. It’s a fun little piece talking about one of my favorite topics: government overreach perhaps? We shall see.
I watched a sneak preview of the final cut of the play and it turned out great. Enjoyable and funny. Director Mike Mroch did a fabulous job as did both actors. I was reluctant to write a play for Zoom because, well, it’s Zoom. No play belongs there! But I did it anyways because that’s what I do, and it was fun to see how it turned out.
Please tune in and enjoy, and let me know what you think.
I’m thrilled to have my new play “Covid Chips” being featured in week 2 of The Gallery Players 24th Annual Black Box New Play Festival.
I was approached by one of the co-producers of the event about writing a play specifically for the Zoom format. I am not exactly thrilled about live theatre going online, so I wasn’t sure if I would feel the inspiration to write something or not. But shortly after that, it hit me. Just from reading the news, and I wrote the play “Covid Chips” to honor the many small businesses hit especially hard during this pandemic. I had a lot of fun writing it, and just last week I was able to sit in on a rehearsal and am really excited to see the final product.
Tickets are free! But you need to register in order to watch. Here’s the ticket link:
There are three plays being featured that week. Here are their descriptions. I hope you can take part in the event and support the hurting theater industry.
Second Week: January 28 – 31
- Covid Chips by Mark W. Sasse
Directed by Mike MrochAs restaurants in New York State begin to re-open during the COVID-19 crisis, Mr. Jawarski, from Peppy’s Pub in Jamestown, receives a Zoom call from an Albany health official making sure that Peppy’s is compliant. As Mr. Jawarski continues complying with new regulations, the health official keeps making additional Zoom calls to bring attention to another matter of omission.
- Women Underground by Kay Ellen Bullard
Directed by Justin BraunThree women living lives of quiet desperation find themselves buried in the rubble of a bank explosion. Each has her own past experiences that could impact their survival strategy. Is any rescue even possible if you’ve already been
living the equivalent of a buried life?
- Every Single Sunday by Chris Karmiol
Directed by Whitney StoneDifferent generations attempt to make a virtual connection and it doesn’t go too smoothly. But that’s okay… it wasn’t meant to.
I just published the fifth volume in the Short Play Collection: Theatrical Monologues for Audition, Classroom, or Stage.
It includes more than 50 original short monologues. Most of them were chosen from my myriad plays, but I did end up writing some special ones just specifically for this edition. They are divided by comedic and dramatic, and they can be used in a variety of settings. Great for both teens or adults!
And that’s my former student on the cover. Yeah, she’s awesome. Please pass along the link to those theatre enthusiasts among you. The other volumes in the collection include duets, Christmas, Christian-themed drama, and high school-themed drama.
Boy, I miss live theatre! It must really be coming to a head within me because this has been a week of musicals for me.
Yes, I’m one of those rare men who LOVE musicals. The music, the singing, the storyline, the choreography, the dazzling sets, the mood-shifting lights. THE SPECTACLE! and how it affects you. Love everything about musicals.
In the past week, I’ve watched OKLAHOMA (the 1999 Hugh Jackman live London version), Carousel (the Live from Lincoln Center version), and the West End version of AN AMERICAN IN PARIS. I loved them all for different reasons, But let me just say that An American in Paris was absolutely stunning. The choreography and set pieces, let alone the flawless performances, made it one of the best produced musicals I’ve ever seen. Truly spectacular. And Gershwin’s music is great. I would love to see it live!
But this wasn’t the end of my musicals for the week. I even watched that Netflix Dolly Parton musical that I can’t remember the name of. Yeah, I know, it’s not going to knock any of those blockbusters listed above off their pedestals, but hey. It was Christmas. There was singing. There was a storyline. There was choreography. So ’tis the season!
Now in my earbuds, I’m listening through the 1992 recording of The King & I featuring Julie Andrews, Ben Kingsley, and Lea Salonga. There’s a reason. I’m already plotting my first post-Covid musical, and I want to go back to one of the classics . I’m pondering how The King & I might play out in my particular setting. It’ s an interesting option, which I’m seriously considering.
What’s next for my viewing pleasure? I think I’ll keep working through the Rodgers and Hammerstein collection. Sounds like a plan.
How about you? What’s your favorite classic musical from Broadway’s golden era?
And what musical would you like to see first when the craziness of 2020 is finally finished?
I’m happy to announce that I’ve finally compiled and released three new volumes of plays.
“Dear High School” is a complete show – with bonus material – all about the trials and triumphs of high school.
“Tales of Wonder” is a collection of three complete Christmas shows and 29 plays, which can also be used as individual sketches for a variety of settings both secular and sacred.
“Tales of Redemption” is a collection of short plays about the Christian experience – perfect for a variety of settings.
The Short Play Collection:
Volume 1: Theatrical Duets for Stage, Competition, or Classroom
Volume 2: Tales of Wonder: Sacred & Secular Christmas Plays for Stage, School, & Church
Volume 3: Dear High School
Volume 4: Tales of Redemption: Christian Themed Drama for Stage, School, or Church
One of my former students – a beautiful person and a beautiful dancer – passed away suddenly this past week. Please keep her grief-stricken family in your prayers.
Her father posted many moving dance video tributes to her amazing grace and talent. Here’s one from a rehearsal of my 2014 show RLT Players present “For All Generations.” This video features the ever poised and beautiful Thizbe as she rehearses with her partner David Beak for the finale of the show. They are using my voice-over for rehearsal purposes. You can hear me reading the script I had written. In the final show, the actors recited the words live as Thizbe and David danced.
Thank you, Thizbe, for sharing your talent with our theatrical group. You added much! As you are right now in heaven, too.
Well, it’s about time. In 2016, I published a volume of plays entitled “Theatrical Duets.” I’ve updated it twice already with new scripts, but I have such a backlog of content to publish that I ended up not doing a follow-up volume to my 2016 release.
Well, no more. I have three new play volumes that I am currently working on for release, and, yes, I’m excited to get them out there. Again, all of them are short plays from very different genres and focused on completely different niches. Here’s what’s coming, though the titles may change.
- Tales of Wonder: Secular & Sacred Christmas Plays for Stage, Schools, & Churches. (The Short Play Collection Vol. 2)
- Dear High School (The Short Play Collection Vol. 3)
- Christian Drama for Stage, Schools, & Churches (The Short Play Collection Vol. 4)
“Tales of Wonder” is the complete collection of the Christmas shows performed by the RLT Players at Penang Performing Arts Center in December 2015, 2016, & 2017. The first two of these shows were directed by myself. This is a delightful collection of funny, nostalgic, and dramatic pieces which, I hope, captures the true magic of Christmas. They are super fun to produce, and I hope a lot of people will enjoy them. I can’t wait until I can produce them again at some point.
“Dear High School” is a collection of high-school themed drama which focuses on the crazy and up and down years of being a high school student. This is a fun volume and I have a couple ideas of sketches to add to it before release time.
“Christian Drama” is an extensive collection of short plays focusing on a variety of topics related to the Christian experience.
The goal, if all goes right, is to release them all at once this summer, right around the time of the release of my ninth novel.
Lots coming together that I’m excited about.
I started teaching drama and acting right about the time that Peter Jackson’s Lord of the Rings Trilogy was finishing up. Nearly everyone had seen it, and almost universally raved about it. The characterizations of the film provided the perfect example for me when I attempted to illustrate for my young actors what it means for their character to have a scene objective and a super objective.
Let me break it down for a second. Every character in every play has a scene objective in each scene. It is explained by the reason for them being in the scene and the goal or objective they are trying to accomplish in the scene. I often would have actors who were on stage without lines ask what they were supposed to be doing. My first question for them would be why did the playwright put you there? What does your character want to accomplish? This will tell you what you should be doing.
What about the term super objective, sometimes referred to as a character’s spine? The super objective is a character’s overarching objective—the one thing he or she wants more than anything else in the world. Aren’t objectives and super objectives the same thing? Don’t ones scene objectives always align themselves with their spine? Not at all.
Enter Frodo. His characterization is so clearly defined as to provide an excellent example of both. Frodo’s scene objectives vary but revolve around the ring and his obsession in making the journey to Mordor to destroy it. His obstacles change from scene to scene and even from book to book, but they all feed into the idea of journey and accomplishing his mission and destroying the nasty ring.
Hey, wait! Isn’t destroying the ring also his super objective? Absolutely not. What does Frodo want more than anything else? And why is he going through all the pain that the ring is causing him? He wants to be home in the Shire. That’s it. He fights creatures and inner demons so he can be rid of the ring once and for all and go home to his beloved shire.
But sadly, this example is becoming obsolete. Ten years ago, all of my students knew the story. Today, most don’t. Usually a few of them do. “I kind of remember it.” “Yeah, I didn’t like it very much.” “It’s such an old movie.” “I heard of it.”
Sigh. I thought Ben-Hur was an old movie.
So now which movie series can I use? That’s the problem. I don’t watch many movies these days, and please don’t say Marvel Universe. I’m pretty sure all of their super objectives revolve around making money.
Who would have thought that Frodo wouldn’t have staying power?
It makes me realize one other thing: someday a new director will come along to remake the LOTR Trilogy because the entire series has become obsolete.
They did that with Ben-Hur, remember? And look what a disaster that was.