Crazy Ideas

When writing, should you use your ‘crazy ideas’?

Down below all the draft chapters of my new novel in my precious Scrivener writing program, I noticed a folder I entitled “Crazy Ideas.” I had stashed every outlandish plot idea that I had thought of in case I had the courage enough to actually use it. When I originally jotted down these ideas, I had doubted that any of them would ever make it into my manuscript.

I was wrong. All of them made it.

Why? And was it the right choice?

Let me explain the ‘why’ first. As the plot of my book unfolded, I had decisions to make: do I play it safe or do I try to push the envelope on this plot, making it more complex, more intertwined with additional layers of intrigue. Or should I play it safe and forget the crazy stuff because there is a risk to writing using the crazy ideas.

What risk?

Will I be able to make it all work?  Will it make sense? Will I be able to make sense of it? Will it stray out of plausibility and into unbelievable coincidence? Will it make the plot too dense, too heavy with overlapping objectives?

All of these are tangible risks of trying the crazy ideas. But I realized that I couldn’t do it any other way. If my novel is going to burn up under its own weight, it’s going to go down fighting with all its potential visible and apparent to the reader.

And now, as I’m writing the final few chapters of the book, I’m feeling the strain of my decisions. It’s hard making sure all the strands of this book will come together in a tidy and coherent fashion. It will take a lot of thinking, rewriting, revising, and good old-fashioned luck to pull this off. I’m going to try the best I can, which leads us to the final question.

Was using the crazy ideas the correct choice?

This ultimately will be a question for my readers.

 

In My Writing World

Here’s an update on what’s on my writing plate.

Book 1 of my new trilogy is currently with my editor. It’s weeks away from being finished. Tentative release scheduled for December 2017. This is a crazy one. More details to follow.

Book 2 of my new trilogy is 80% finished. (first draft, that is) I’ve been working hard this summer on this one to make it an exciting follow-up. Titles are still tentative for all the books in the series, but they are coming. This one would be on schedule to be released about 6 months after book 1. Tentative: mid-2018.

Last week, I took a break from novel writing and wrote this:

HundredPitchAtBatsmall

My first baseball story! It’s been a long time coming. I had such a fun time writing this last week that it spawned a whole series of ideas for more baseball stories. So I now have a long term goal of writing a collection of baseball stories that I’ll publish at some point in the future. I am a W.P. Kinsella fan, so my writing hopes to be in the tradition of his wonderful books.

Just finished a short play, “Silent Night: The (Almost) True Story” which is a modern re-make of the Hans Gruber and Joseph Mohr story about the origins of the song. This will be directed by my good friend as part of an upcoming Christmas show.

And long term, I have a musical project I’m working on with my composer buddy. Plus, I have book 3 of my new trilogy to write.

I also guarantee you that additional writing projects will be popping up at any moment because that’s how my brain works.

That’s a little update on where things are heading for me. What about you?

A Writer on Pause No More

I’m a writer.

But it’s not what buys the bread and puts kids through college. For that, I am also a teacher.

But the best part of being a teacher and writer is, of course, summer. Summer is when I can hit the resume button and become a full-time writer again. I am at that blissful part of my year as I currently write this. Writing happiness has returned once again.

I’ve had the most wonderful writing routine the past three days, and it looks sustainable for the next month or so. I carve out of my day about three hours to sit alone with my laptop, immersed in my thoughts, and punch out as much coherent dialogue and description that I can during that time frame. Then I pack it up, get back to family time, cook some dinner, and ponder where my next writing episode the following day will take me.

Three hours is typically the maximum amount of time that I can concentrate on writing. Sometimes only two depending on how the chapter is coming together. By the time I reach the two or three hour mark, I’m ready for a break. I need to allow what I have written to sink in my brain and make sure it is exactly where I want to take the story. I don’t like to get too far ahead of myself. Three steps forward. The next day, I’ll backtrack and re-read what I wrote. Edit and revise. Check and double-check, and then plow on to the next chapter or segment. When I get to do this this everyday for two or three hours, I can make a lot of headway, and within a month, I can have a solid outline for a complete novel.

I’m currently working on book 2 of my first trilogy. I’m already over the 42,000 word mark while cruising into the latter half of the book. I’m having a blast with this story and can’t wait to see where it will take me.

A summer where the pause button is no more. The pedal is to the metal. Full speed ahead. It’s exciting. Stay tuned.

How about you? How do you carve out time for writing?

Writing Progress isn’t Always Visible

A month ago, I boasted that the first novel in my first trilogy was complete and the second novel is half-written.

Today, I can boast that the first novel in my first trilogy is almost complete and the second novel is half-written.

Wait. What? Am I moving backwards?

It may feel like that. Writing has a way of moving at a glacial pace. But that is okay, even preferable. Sometimes you need to take a step backwards if you want to jump two steps ahead.

I started writing this first novel back in December 2015. Trust me, I’ve never dilly-dallied so much. The issue arose when I decided that the story needed to continue, so I put the brakes on my novel in hopes of mapping out where I wanted the story to go.

I assured myself that the first novel was still complete. Just in waiting.

I was wrong. So I revised it once again.

Then I pushed on to novel two and got about half way through it when I realized that novel one still wasn’t sitting right in the pit of my writing stomach. I sighed deeply and decided to look at it once more. I am so glad I did.

Besides fighting back some discrepancies which arose from writing book 2, I found a host of other mistakes and poorly worded phrases which I swear were NOT there the last time I edited it. Those blasted writing gremlins. Sabotage. Clearly. I had actually sent this previous version to my editor whom I am glad hadn’t started reading it yet. Because, no! Stop! It wasn’t ready. Just kidding.

It can feel like I’m getting nowhere because book 2 is still only half way complete. That was last month’s news as well.

But I look at it like this. I am strengthening the foundation and core of this entire story. By revising one more time, I am pushing the quality to a new height which will benefit all three of the books of the trilogy.

Writing progress comes in many forms. It’s not only when you write a new chapter. It’s also when you put the building blocks in place to create better chapters in the future.

I had an artificial timeline of when I wanted to release this first book, but all that must take a back seat to quality. Must. Timelines and expectations have to wait.

I want to do this right, so let the unseen writing hand get to work.

 

 

 

 

You Should Tolerate Bad Writing

I’m not a perfectionist. As a writer, this can be a disadvantage. I’m confident there have been times when I could have improved a piece with one more revision or one more re-write. But I must admit, I become bored and just want it to be over so I can get on to my next creative idea.

On the other hand, not being a perfectionist as a writer has its distinct advantages. One of those has to do with the writing process and that enigmatic term we like to call writer’s block. I’m not completely convinced that writer’s block actually exists. Sure, there may be times of uncertainty where one needs to put in the requisite amount of thinking before it becomes clear where a plot should go or how a character should act. However, I do think that, perhaps, sometimes writer’s block is just not be willing to tolerate bad writing.

We have good days. We have bad days. Sometimes the words are clicking with clarity and ease, the phrasings are coherent and the descriptions vivid. Other times every single sentence is a chore and when you look back over your last paragraph, you realize that a second grader could have sounded so clever. When that happens, it’s precisely the moment that you need to be tolerant of bad writing.

In 2002, I started my first novel. The writing was so bad that I stopped on the second page. It took me 10 more years until I finally finished my first novel.

I couldn’t tolerate bad writing. Therefore, I paid for it, languishing away in non-writing pursuits.

Recently, I was working on a section of my new novel and that self-criticism reared its ugly head: this isn’t particularly good. But I made a decision to move on. I didn’t care if it wasn’t good, I told myself, it will eventually BE good.

That’s the key. Bad writing doesn’t necessarily need to remain bad writing. I’ve come across parts of my manuscripts in the past which are terrific and then I’ll reach a section which is quite less than great. I’ve learned to appreciate these sections. For one, I’m happy I can recognize bad writing when I see it. Two, I appreciate the fact that I motored through a bad writing session because it does help further the story. It’s much easier to rewrite and improve a poorly worded section than it is to come up with a completely new section.

Bad writing should be embraced. It’s one of the backbones for good writing. Don’t get discouraged when the words aren’t flowing. Keep moving forward, even if you have to use your 2nd grade vocabulary. On revision day, I’m sure you’ll be glad you have something to work with.

Writing a Trilogy, or is it a Three Part Story

I’ve mentioned before how I am working on my first trilogy. My first five novels were standalones and I’ve always felt that standalones are more interesting reads because, well, they have a tight arc and a thrilling finish. I’ve never been one for built-in cliffhangers (let alone the ridiculous extra scenes that Marvel Studios has become famous for. Please, no!). I’ve never wanted to tease the reader or string a reader along. I just wanted to write quality stories, encompassing one person’s whole worldview in one story. Sequels, series, trilogies were just not for me.

Well, hey. What do they say? People change? So do writers, and that has led me to some unfamiliar territory. When I wrote my latest novel – still unreleased – the story, though quite tidy, didn’t feel over. There were unanswered questions and many new avenues to explore. I decided to thing about a sequel. It let me to a cool idea and then the story took off.

Well, no those two stories are becoming three. My first trilogy.

As I continue to punch away at the keys and discover all the crazy ways this story is taking on new life, I’ve realized that there is a difference between a sequel and a just a longer story. My goal now isn’t to write three related novels. My goal is to write one story, broken into manageable and gripping parts. A large arc over all three with individual arcs built into each section. It’s a challenging yet fascinating process, and it’s forcing me to approach writing in different ways from the past. This can only be good in a writer’s development. I’m excited about that aspect.

To make this work, I’ve dramatically slowed down the release of book 1 so I can finish book 2 and be well on my way in book 3 before the opening chapter ever sees the light of day. As my English colleague says, trilogies planned at one time are better than those with an added sequel. I agree. It’s all about coherence and allowing new ideas be applied to previous ideas. Lots of back editing is needed. Retroactive writing is tough to do once the first story is in print.

The plot of this novel is a challenge. It’s complex, with many characters. It has two main overarching stories which are connected. These stories have spawned subplots and minor characters and it’s a lot to keep straight. It’s a puzzle really. A puzzle I’m driving myself. A puzzle I get to create. I love that aspect of it.

So writers, push yourself. Try something new. Let your trilogies be standalones and your standalones be trilogies. It will be worth it in the long run.

Justify the … Idea. It’s How I Write

In my theatre arts class, we play a game called Justify the Pose. I say ‘go,’ and everyone tears off around the room doing whatever they like. When I call ‘stop,’ they  must freeze in whatever awkward position they find themselves in, whether they are mid-step or standing on a desk. Then I call out a couple people’s names and they have to justify the pose, on the spot they have to think up a situation in which they might find themselves in this position and then act it out. It’s a great game to get the actors thinking creatively about how to understand certain situations.

Recently, I began to realize that this is exactly how I write. I try to justify the idea.

This is a great way to generate ideas and force a writer to think creatively about a certain idea. Here’s how it works. A random image pops in my head and I immediately think what could justify this situation. What would be the back story? Why would this person be in this situation at this time?

My entire second novel was started on a premise like this. One day I had a random thought of a woman from a second story window seeing a man below wearing a red hat. That’s all I needed to write an entire novel. I began thinking why this woman would be interested in a man wearing a red hat. What was his relationship to her?  Was he a bad man? Was he trying to hide something?

I’m currently working on a trilogy which is based on the same time of premise: a strange image which makes no sense, but I forced myself to give it meaning and make it make sense. In doing so, it forced me to think creatively and I ended up with a novel (and soon to be novels) which are beyond what I thought I could ever think of. But I now know that’s not the case. I can make anything work if I give it enough time and brain power.

So give it a try. Take an idea, a random idea, a bizarre idea and try to justify it. It’s fun and you never know what you’ll end up with.