The First Ever Massive Trilogy Read-Through

I had just finished the second revision of book 3 of my brand new trilogy.

So what was next?

Revision three, of course.  But then I paused and thought for a moment. I knew what I needed to do, but I was reluctant. It would be too time-consuming. It would stop the flow of my revision work. No, don’t make me!

What was it? It was to read the entire trilogy from first to last page. I would become the first person to read the entire trilogy, which makes sense since I wrote it.

I told myself I needed to do it. I rolled my eyes and thought of any other way to get around it. But I knew if I wanted to present the very best overarching story possible that I needed to delve back into the ENTIRE story.

So that’s what I’m doing.

I just finished reading book 1: A Man Too Old for a Place Too Far, and you know what? I enjoyed it. After just finishing the storyline of the entire trilogy, it was fun to revisit the genesis of everything. There were definitely some details along the way which I had forgotten, but I was pleased with the story’s consistency.

I think I’m on the right track, and that makes me happy.

It can be painful to read one’s own work. Tedious, actually. But it’s so important, and I usually end up surprising myself thinking “Hey, how did I think of that? If I wrote this paragraph today, I don’t think it would have been as good.”

On the other hand I also run into these thoughts: “I don’t really like this sentence anymore. How about a simple edit?”

Re-reading is crucial to jog one’s memory of the myriad of character and plot details which absolutely must mesh.

But do it. Hold your nose if you have to, but keep re-reading your own work. It will be well worth it.

If you haven’t read book 1, please check it out. It’s a story I’m really happy with, and it’s only $1.89 on Amazon. Permanently.  Thanks for the support!

Link to Amazon. Only $1.89 on Kindle.

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After 2+ plus years, the story is finished.

Just wanted to share briefly what is making me so happy today: my first trilogy – my first series of any kind – is finished.

This afternoon I capped off the story with as neat and tidy ending that I could muster. The story of Frick, Bee, Ash, Rachany, Ruthy, Haddock, Hatty, Ulrich, and Monroe is finished, and I’m very happy with how it turned out.

In a different post, I’m going to chronicle what I learned about writing by taking on this project, but I couldn’t let my happiness remain inside.

It’s done!

I know. I know. I have months of revision ahead of me.

But who cares?

There were days in the past when I couldn’t see how the ending I wanted was going to connect with what I had already written.

And then, little by little, it worked.

It didn’t hurt that for the past nine days, I’ve had nothing to do but WRITE! It’s been awesome since I was able to crank out the final 25,000 words.

The result is this a 200,000 plus word trilogy.

Book 3 of THE FORGOTTEN CHILD TRILOGY – A Parting in the Sky

To celebrate: here’s the first mock-up of the cover.

Coming 2019!

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Writing: About Lengths and Words

I’m a concise writer. I know that.

I’ve learned to slow down my writing over the years because at times it can be at breakneck speeds, and there are rumors about that some readers like to stew in the words of a story and not have to gulp them all down from the end of a fire hose.

Who knew?

So length and word count are always on the forefront of my mind when I’m writing. That’s not always a good thing. I’ve heard that the best length of any story is precisely the length it should be. Some stories are meant to be short. Others long. Many others somewhere in-between.

The general standard (some would dispute this) for length is above 20,000 words is a novella and above 50,000 words a novel. If you are well below 20,000, you’ve simply written a short story.

As I’m narrowing in on the ending to my trilogy, I’m finding that volume three is feeling shorter than the other two. Is that bad?

Well, it all depends, and this is where it gets messy and subjective. This is where a fresh pair of eyes and a good editor can help guide you.

I want an ending that’s satisfying but doesn’t drag. That’s well developed but not too short that the reader feels shortchanged. (As a side note, I know that not all readers think alike. Some will never be satisfied no matter the length, but that’s another post.)

How do you navigate your story so it’s exactly right? You can’t. No story is ever exactly right. But you can make decisions which will help guide in the right direction.

First, don’t fret on word count. If the story arc and development leads you to 40,000 rather than 70,000, then please leave it at 40. No one wants to read 30,000 useless words.

Second, make sure your story development delivers on all accounts. Characters. Have you satisfactorily shown their development? Do their decisions in the book make sense in a chronological way? Have you shown the readers what they are desiring and why they do the things they have done? If not, expand. If yes, move on and don’t say anymore. In regards to subplots, are they all necessary. Yes, you might be able to expand your novel another 10% by telling us a backstory or weaving a secondary thread through the plot, but is it necessary. Completely necessary to show characterization, so show foreshadowing, to bring the plot to realization?  If you can’t answer yes to all of these, then nix it. Perhaps write it a short story instead. Don’t bog down the storyline in unwanted information.

Third, slow down and let the language simmer a little more. You always want to keep your language short and concise, but don’t be afraid to expound a little. I’m writing this especially for me. Add that description–especially amidst the dialogue. Because I just love dialogue and I can write some of my draft chapters almost like a play. Not cool! Think of the reader. Show what happens. Describe the movements. Describe the scenery. But don’t feel compelled to write twenty pages about the topography of the protagonists hometown. (Please no! Keep it moving, remember)

A good editor will help you with all of these because, honestly, it’s so hard to judge one’s own writing.

How about you? What helps you in your writing endeavors?

Plotting or Plodding?

Humph! Here’s the real truth about writers: sometimes we have no idea how it’s all going to turn out.

I mean, really, what are we doing? What am I doing? What is my plot doing?

Sometimes it feels like I’m playing a giant connect-the-dots while blindfolded. Are these two dots really going to connect in the end?

This is an issue with any type of writing – including a stand-alone novel. But with a series, humph! Plotting seems like plodding at an ant’s pace.

I’m working on the final segment of The Forgotten Child Trilogy, and while I’m currently on chapter 19 – more than half way finished, I am starting to wonder how I’m going to tie up all of these strands. Yes, I like strands. Perhaps too much. Maybe I should have stuck with the third person limited. I did that once with the novel A Love Story For a Nation and I must admit it was freeing because every scene whether description or dialogue came from one person’s perspective. That’s why books which in the first person “I” have such an appeal.  It’s immediate. It’s personal. But let’s admit it. It’s also limiting.

My first series is being written in third person omniscient. It has to be this way because there are so many characters who are helping to tell the story. Now, I don’t write the narration from everyone’s perspective. In fact, there are three (maybe four) antagonists and I don’t tell it from their perspective at all. It’s just a choice I’ve made in this particular series. I wanted their motivations to be slightly obscured through the perspective of the different protagonists. Yes, this story is about many people.

There’s the rub. It can be confusing because I’m trying to balance many different strands from many different perspectives: Frick, Bee, Ash, Hatty, Ruthy, Rachany, Haddock, Adams & O’Malley – any more?

Okay, so what’s the solution? How to keep my head on straight?

First, take a deep breath and know that no one else – I mean no one – will ever see your first draft. So it’s okay if it’s terrible, and it usually is.  Just get the story down the best you can. You may not fill all holes at once and that’s okay.

Second, plan on spending the next six months doing rewrites and revisions. Just do it. Build in the time into your writing schedule. You’ll be amazed at how your mind will shift and you’ll get new ideas – better ideas – over time. Don’t be in a rush to get it done. Take your time.

Third, remember that it will work out in the end. It always does. The ‘i’s will be dotted the the ‘t’s crossed. It just takes time. It may seem chaotic right now, but after you write that next chapter, some clarity will come. More direction will be revealed and you’ll get there.

Four, remember to tie up all the ends even if it means re-writing. Don’t leave anything hanging when you come to the end of the series. Therefore, read the whole thing again. I know, I know. You told yourself that you’d rather bang your head against the wall than read your story one more time. But it will be worth it. Slow down. Read it again. Make sure it’s all tied up neatly in the end.

A good last impression is the best impression. Don’t let the end slip away from you.

Okay, now I need to start following my own advice.

Cancel Everything. Write and Discover.

A couple months ago, I was publicly weighing the options of how to write book three of my trilogy. I first stated how great outlining was, though I rarely used it before. Then I followed that up by stating that I just need to discover where I’m going before I get there.

I’m not a good third way into my novel and I realize how ridiculous all of this sounded. I can’t plan or outline or discover anything until I start writing.

Writing is outlining. Writing is planning. Writing is discovering. At least it is for me.

I fretted and worried about where this story would be going. How silly it all seems now!

As I started writing, I have discovered ideas that I would never have thought of before. I  came across plot shifts and surprising developments that even surprised me, the writer.

How does that work? How am I so blinded by my own story that it ends up surprising me?

It must be about a lack of development. When I outline an idea, it’s just a shell with not any structure standing around it. It sounds good at the time, but it’s hollow with no substance behind it.

Then I start writing. The first idea gets developed and that leads to a new set of objectives and details which I didn’t have in my writing bag before. So I shift gears and end up going in a direction which I couldn’t have anticipated.

When I’m not writing, it’s frightening because I can’t figure out what’s going to happen.

But when I’m writing, it’s exhilarating. It’s like walking down a virgin path in the woods and discovering a mysterious cave you never new was there. I don’t think I’ll doubt myself anymore.  This is how I write. This is how I live. I can’t plan. I don’t know how to. All of my plans fall through as my never-ending brain shifts and changes at the whims of a new idea.

So I think I will strop trying to write like anyone else but myself.

I write to discover. Period. Foreever and ever. I’ll leave the outlining to those really smart writers who have a singular mind which doesn’t change.

I’ll continue to change with the whims of the air. And my mind.

Publishing 7, Writing 8, Planning 9

I guess I’m hopelessly a writer. It doesn’t depend on how many are reading my works. They continue. I couldn’t stop them if I tried, and it’s all rather exciting.

I’m on the brink of publishing my 7th novel,  THE AFRICAN CONNECTION, which is part two of my new trilogy entitled THE FORGOTTEN CHILD TRILOGY.  I’m currently writing my eighth novel which will conclude the trilogy. Today is a wonderful writing day. Already clocked in over 3600 words and it’s only 1:30 PM. I’m rearing to go. Watch out.

At the same time, I’m ready a book which is part of my research for novel #9 in the works which I will completely keep under wraps at this point. I absolutely can’t wait to get to it though. I will tell you the genre: alternate history, and I’m finding it absolutely fascinating to plan it out. It will once again be different from anything I’ve ever written.

That actually seems to be a theme for me. Try something new. It’s not necessarily a great way to market yourself: watch out, the next book may be different. I’ve had reviewers, actually, which have commented how different my books are from release to release, but luckily, they have said they have liked them all. That’s a blessing, of course.

I write what comes to my heart. I have never thought about what readers would like. I suppose that has hurt my marketability. But I have to be true to who I am and what is going on inside of me. If people love to read it, great. If not, well, maybe next time.

But for me it’s always about writing the very best story which is currently on my heart.

What do you think? Is that silly? Noble? Insane in this day and age?

No matter, it’s what I love to do. And so, this blog post is simply a short break from novel 8. So back at it.

Hope to see you in the pages.

Just Write. That’s the Bottom Line.

I recently wrote a post about outlining in novel writing and how I’m not a huge fan. Of course, there is always a time for outlining, and I do tend to use it sometimes.

I’ve been trying to outline book three of my trilogy since I know how I want it to end. I just figured it might be easy to plot everything out and get where I need to be. Right? Simple!

Forget all of that. I finally arrived at the point where I am doing too much thinking and not enough writing. So yesterday, I scraped the outlining idea. Be gone, bullet points!

It’s time to write. It’s time to power through on the ideas that I do have and trust in my process.

And that’s the key. If you have a writing process that has worked for you in the past, trust it. Let’s use a baseball analogy. I’m a big baseball fan, and every hitter goes through a slump. Sometimes an extended slump and it can be disconcerting. They start doubting their swing and their mechanics. Should they start tinkering with what has worked in the past? Should they try and find a new silver bullet? One of the players I follow has been horrible for the past three weeks, but I keep reading how he just remains confident, keep working hard on all aspects of the game in which he can control, do the things which have brought him success in the past, and just wait for the resurgence to come. It has, by the way.

Isn’t writing the same? It is for me. Just write. That’s always been my motto. Let the story unfold. Let the story — the written story — tell you where it should go next. Don’t force it. Let if flow.

That’s what I’m doing. I just finished chapter 1 of book three. I really like it. It is going to help set the tone for what’s to come. Now, I know what chapter 2 will do. That will lead me to chapter 3 and, hopefully, before I know it, I’ll be writing the ending that I know I want.

While outlining and pausing writing to think can be helpful, it should never replace the actual writing. I have been reminded of that this week.

Now get to it. Chapter 2, here I come.