Cancel Everything. Write and Discover.

A couple months ago, I was publicly weighing the options of how to write book three of my trilogy. I first stated how great outlining was, though I rarely used it before. Then I followed that up by stating that I just need to discover where I’m going before I get there.

I’m not a good third way into my novel and I realize how ridiculous all of this sounded. I can’t plan or outline or discover anything until I start writing.

Writing is outlining. Writing is planning. Writing is discovering. At least it is for me.

I fretted and worried about where this story would be going. How silly it all seems now!

As I started writing, I have discovered ideas that I would never have thought of before. I  came across plot shifts and surprising developments that even surprised me, the writer.

How does that work? How am I so blinded by my own story that it ends up surprising me?

It must be about a lack of development. When I outline an idea, it’s just a shell with not any structure standing around it. It sounds good at the time, but it’s hollow with no substance behind it.

Then I start writing. The first idea gets developed and that leads to a new set of objectives and details which I didn’t have in my writing bag before. So I shift gears and end up going in a direction which I couldn’t have anticipated.

When I’m not writing, it’s frightening because I can’t figure out what’s going to happen.

But when I’m writing, it’s exhilarating. It’s like walking down a virgin path in the woods and discovering a mysterious cave you never new was there. I don’t think I’ll doubt myself anymore.  This is how I write. This is how I live. I can’t plan. I don’t know how to. All of my plans fall through as my never-ending brain shifts and changes at the whims of a new idea.

So I think I will strop trying to write like anyone else but myself.

I write to discover. Period. Foreever and ever. I’ll leave the outlining to those really smart writers who have a singular mind which doesn’t change.

I’ll continue to change with the whims of the air. And my mind.

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Just Write. That’s the Bottom Line.

I recently wrote a post about outlining in novel writing and how I’m not a huge fan. Of course, there is always a time for outlining, and I do tend to use it sometimes.

I’ve been trying to outline book three of my trilogy since I know how I want it to end. I just figured it might be easy to plot everything out and get where I need to be. Right? Simple!

Forget all of that. I finally arrived at the point where I am doing too much thinking and not enough writing. So yesterday, I scraped the outlining idea. Be gone, bullet points!

It’s time to write. It’s time to power through on the ideas that I do have and trust in my process.

And that’s the key. If you have a writing process that has worked for you in the past, trust it. Let’s use a baseball analogy. I’m a big baseball fan, and every hitter goes through a slump. Sometimes an extended slump and it can be disconcerting. They start doubting their swing and their mechanics. Should they start tinkering with what has worked in the past? Should they try and find a new silver bullet? One of the players I follow has been horrible for the past three weeks, but I keep reading how he just remains confident, keep working hard on all aspects of the game in which he can control, do the things which have brought him success in the past, and just wait for the resurgence to come. It has, by the way.

Isn’t writing the same? It is for me. Just write. That’s always been my motto. Let the story unfold. Let the story — the written story — tell you where it should go next. Don’t force it. Let if flow.

That’s what I’m doing. I just finished chapter 1 of book three. I really like it. It is going to help set the tone for what’s to come. Now, I know what chapter 2 will do. That will lead me to chapter 3 and, hopefully, before I know it, I’ll be writing the ending that I know I want.

While outlining and pausing writing to think can be helpful, it should never replace the actual writing. I have been reminded of that this week.

Now get to it. Chapter 2, here I come.

Time + Thinking = The Solution to All Writing Problems

It’s not always easy to know which way a story should go.

Should minor characters begin to play a more major role?

Should a character be killed off?

Should I change the setting?

Story threads are fragile. Each minor decision can send a story spiraling in a direction that may or may not be good.  As a writer, it’s impossible to explore every plausible avenue or nothing would ever get done.

I have found, however, that the right amount of time and a proper amount of thinking can solve even the trickiest writer’s problem.

My current issue revolves around part III of my new trilogy. Parts I and II flowed remarkably smooth. I finished part II in August 2017 and have been revising and editing it ever since, and it’s now about 6 weeks away from being released. Part III has proven to be more elusive. I know the ending. But the problem is how to get there.

My book has a rather large cast of main characters. The supporting cast is large and has played a significant role. In book two, I added a new main character to help support the story, but that has added additional challenges to an already unwieldy cast.

And so over these past few months, I’ve been trying out many different reiterations of what should happen in part III.

What I’ve come to realize is that if you put enough time into thinking through all the ramifications for each main idea, the path forward will slowly start to emerge. Just this morning, I reordered the first couple chapters, imagined a few new ideas and with some reworking, believe I now have a solid way forward which I didn’t have last week.

That’s progress.

It came through

1. TIME

Let the manuscript sit.  Don’t be too hasty to get it to the marketplace. Read it fresh after a month of not thinking about it. It will help bring clarity.

2. THINKING.

Sometimes you don’t need to write, you need to think.  Jot down a few ideas. Think. Jot down new idea. Think some more. How does it change things? Better? Worse? What are you overlooking?

And when you put proper TIME together with the right amount of THINKING, you’ll be on the road to solving your writing problem.

Don’t be afraid to slow it down.

BUT, once you figured it out, finish it! Without exception! Go! Go! Go!

Get it done and get it out in the marketplace.

Now on to the next.

 

 

Crazy Love – The New Show

One of my tasks for my residency at Greywood Arts in Ireland was to complete my new show entitled “Crazy Love.” The world premiere of this show will be performed by my drama group The Sun & Sand Players in December 2018 in Jeddah.

In addition to the two full-length plays I completed this week, I’m thrilled to see “Crazy Love” come together. It’s a collection of 8 dramatic sketches and one mini-musical all themed around crazy love.  The show will consist of 7 brand new pieces plus two of my award-winning sketches from other years which fit perfectly in this collection.

Yesterday, I wrote the entire script called “Bridge Watchers” which completed the show. I also finished the script “Young Love” and did some final editing on some of the other scripts as well.

Here’s the way the show is looking:

  • A Pinch of Fate, A Shot of Destiny – Best Script Award Winner – the death angel comes for Rebecca but wasn’t expecting fate to get in the way
  • The Talk – New – snippets of parents talking to their kids for the first time about the birds and bees
  • Bridge Watchers – New – seven bystanders watch a tragedy unfold from  on top of a bridge. Who will get involved?
  • Fruit Punch – New – Banana tries to setup Olive on a date with an actual Date. (yeah, it’s crazy)
  • Shame on the Moon – New – a reworking of Romeo and Juliet, every time Romero and Julia look at the moon, they fall in love
  • Young Love – New – snippets of love from the perspective of kids
  • No in Spite of Itself – Best Script Award Winner – a young man stands on a cliff having a conversation to himself, lamenting the fact that the girl he loves doesn’t love him
  • Love is Not a Straight Arrow – New – a fictionalized version of a true story about my grandmother in 1924, when she came to Pennsylvania to marry Otto Sasse
  • Crazy Love: The Musical – New – a mini-musical about a family falling apart, and a child who thinks she is to blame

I think it will be a great show! Because love is always funny and dramatic. Who can resist it?

 

Outline the Ending! Really?

I’ve been inundated with those Master Class video ads on social media lately. I’m sure you’ve seen them, and I have to admit, some of them certainly catch my eye. I was real curious to see what Ron Howard and Martin Scorsese said about film-making, and even their introductory videos were quite engaging.

Of course, there’s a bunch of well-known writers on there as well, and I am, as a writer, interested to hear what they have to say. I like to keep my options open. I like to learn and grow in my craft, but whenever someone says how important it is to do this or that when being a creative writer, I usually balk at it and tell them to slow down the bus!

Writing is different from film-making or some of the other arts because it’s so subjective. There’s no one formula. There’s no “best practices” which will insure success. Sure, there are some writing guidelines which may help, especially for young writers, but blanket statements are not that helpful.

One well-known writer on the Master Class videos said how important it is to outline. You must outline, outline, outline like crazy. Outline until the cows come home. Outline through all your holidays. Outline until you’re blue in the face, or until the next season of your favorite show comes out. OUTLINE!!!! Okay, I might be paraphrasing here.

But the point is, this particular writer emphasized how important outlining is. And in reply to that, I say hogwash!

It might be important to you. It’s obviously important to him. It’s not important to me. Now you might think to naturally side with him because he’s famous and rich and I’m not. That’s a valid point. But if I may, I content his outlining obsession has nothing to do with his success.

Here’s the problem I have with outlining. For me, it’s basically useless, because by the time I  hit the third chapter of my outline, the rest of my outline has no validity because I’ve changed the story so much since my original ideas.

Why?

Simple! Writing leads to new ideas. New writing leads to newer ideas. To think you can sit down and know the ending of a creative story before you actually start writing is rather preposterous. That’s like chaining yourself in and not allowing your ideas to grow as your story grows.

So if you do outline, I’d offer this advice. Don’t let the outline be the ultimate driver of where your story is going. Use it as a guide, but as your ideas develop, please feel free to change your outline. Please feel free to change your ending!

Just today, I completely revamped an ending to a play which I thought I had finished yesterday. But it wasn’t sitting right for me, so I had to go back and change it.

Now, with all that said, it doesn’t mean that I never outline. I do loosely outline at times when I think I see where the story is going. For example, on my new fiction trilogy, I do know the ending of book three. But I only know the ending because I already wrote book 1 and 2. When I was writing book 1, I didn’t even know how it would end. But now that I’ve written 2/3’s of the trilogy, it has become obvious to me what the ending must be. Great! No problem!

My ultimate point here is that there is not one correct way to write. It’s so personal and subjective. Do what you are comfortable with. Follow your passion and your story. Allow it mold and form what you want to say. Never allow preset guidelines to determine where your story must go.

You know where it’s supposed to go. It’s in your heart. You were made for this moment. Create and discover what you never thought possible.

Thriving with multiple writing projects

One of the most useful writing methods that I use is to have many different writing projects open and moving forward at the same time.

I can see how this methodology might drive some writers mad. For me, however, I thrive in the messy realm of multiple stories and even multiple genres. What, in my estimation, are the advantages of such a messy model?

  • What’s writer’s block? When you have five ideas going all at once, it’s not hard to keep going on at least one of them.
  • Boredom, away! A writer can, at times, get bogged down in the minutia of a story and you just need a change of pace. The other day, I went from doing some hard work thinking on my new novel to writing a silly play about fruit. It was a delightful change which will bring forth a bountiful harvest of renewed vigor for my novel when I get back to it.
  • Accomplishment is something. A novel is a long process. I usually write one over a 2-3 month period if I have minimal interruptions. But it can take many, many more months to write it if it ends up being a weekend project because of other work commitments. This is where a second writing gig is helpful. I can write a first draft of a short play in two hours or so. That means during those long and unfruitful novel months when I’m waiting for a large chunk of time to write it, I can still FINISH something. And let’s now lie, here. Writers LOVE to finish things. You know the old writer’s quote – “I hate writing, but I love to have written.”
  • Press pause to refresh your ideas. Walking away from one piece of writing for a while is beneficial. Ideas need to stir. More input from the world will lead to new and better ideas. But walking away from a piece of writing doesn’t mean you need to walk away from writing altogether. No way. That’s where a secondary or tertiary project is of the utmost help.

I am a little at the extreme end of the spectrum when it comes to multiple writing projects. Perhaps for you only one additional project would work, but for me, there’s nothing like twelve things to think about at once. Here’s a few of the things I’m currently working on:

  • pre-writing on book three of my new trilogy
  • writing a series of 8 short plays to form my new drama show “Crazy Love”
  • 1 historical based musical is on the back-burner
  • 2 full-length plays that I have started but plan to finish in the next couple of weeks

Don’t worry. There’s more. But I’ll keep it there for now. How about you? You like having multiple projects at once?

 

What is Writing Success?

When does a writer know when he or she is successful?

Being “a writer” has certain connotations and sometimes embedded tangible requirements. Does he make a living from writing? Is her work critically acclaimed? Is he well-known? Does she garner respect from other writers? Do other people ask him to write? Is her author rank on Amazon within the top few thousand? Can a book release produce excitement? Does she have book signings? Has he won awards for his craft? Does she work tirelessly to improve?

Surely, these are all requirements of being a ‘real’ writer.

But, alas, no, that’s not it. It’s much simpler. It’s more personal. It’s more subjective.

Being a writer is about having the confidence within where one feels they know what they are doing but remain wise enough to know how foolish a thought like that is. Despite always wondering if what is written is any good, he or she keeps on writing.

For the first 30+ years of my life, I had the heart of a writer, yet I was not one. I was a person who made excuses about my writing, which mainly never occurred. I focused on my weaknesses and the strengths of the real professional writers. Strangely enough, the gap between my weaknesses as a writer and a highly respected writer’s strength was vast. That’s what I was focusing on, and it made writing seem like an impossible task. There was a gulf of separation too wide, so I  figured I might as well not try.

I’m ten years beyond that type of foolish thinking. Do I still have writing weaknesses? Oh yes. I think I’ve even discovered more that I didn’t know existed. But now, I don’t look at the big guys in awe and lament that I will never be like them. I have learned to feel comfortable in my own shoes. I have unique experiences and unique bouts of creativity which are vastly different from others.  I have something to say, and that’s enough.

Sure, I like a good review or an award or honor just like the next writer. It certainly can stroke a writer’s ego and boost one’s confidence.

But good reviews or awards or a certain threshold of downloads does not a writer make.

A writer is simply someone bold enough to admit that he or she is one.

Once you can overcome that hurdle, you can be successful, and you can write in peace.