Writing Collaborations: What’s the Goal?

This weekend, I’ve been collaborating on a short play writing project with one of my students. We have a finished draft on a fun and meaningful script which I plan on using in my new show coming up in April.

It’s been a while since I’ve collaborated with students on a creative writing piece. I used to do it all the time. In fact, these type of collaborations are what kick-started my writing career. I have many students to thank, because they helped me to just write and put my work out there.

This weekend, I’m writing with a student who has never written a play before. She came up with the idea for the play and I helped to formulate it into scenes. We each took different scenes to write and then there’s the process of combining them together, editing, adding new ideas, and the general non-stop revisions which are needed. I’m excited to see the final product of this script.

This endeavor got me thinking: what’s the goal of this type of writing collaboration? A new writer with an experienced writer.

Here’s how I approach it. I, first, want the idea to originate with the new writer. I wanted her to have ownership in the process because I know how I can be: I get an idea and I can’t stop until it’s done. This allows a new writer to catch-up to my overbearingness, so to speak.

The new writers are typically reluctant to edit my work. That’s understandable, but I want to make it clear that there is no hierarchy in this collaboration. There’s only one goal: write a quality piece. That’s it.

That means that I will edit the new writer’s scenes thoroughly. I’ll make additions. Suggestions. Give feedback. Get feedback. And, invariably, the new writer comes back with “yes, yes, yes, that’s so much better. yes.” I’m not a better writer than they are. I just have more experience. I’ve also produced 25 shows. I know visually how the dialogue will look on-stage.  I know what will work, what will sound authentic, and what won’t.

My goal is for the new writer to see my entire process and, hopefully, learn from it. Then they get their name as a co-writer in the playbill which is always fun. And, if they act, which they almost always do, I let them star in their own play if they so choose.

What’s important in the process, at least for me, is not to settle for less quality because a writer is new. I will push them, I will encourage them, I will ruthlessly edit their stuff in order to make the piece better. An okay piece will not be acceptable to me if it can be a great piece, because I’m putting my name on it as well.

I guess what I’m saying is: don’t dumb it down. Keep the standard high.

I had a past school principal who said that the lost practice of kids and parents eating supper together every night has hurt the kids’ development. They need to hear adult conversations. They need to be able to ask questions. Wonder what that word means. It’s one of the ways they grow and learn.

This is exactly how I view writing collaborations with students. I hope my intent is reached with this one.

This is going to be a good play. It’s entitled: “Why Leaves Change Color.”

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My New Show: “Crazy Love”

This afternoon, I was thinking ahead a little bit about my new show coming up at the end of the year. It will be my first, all-original production since December 2016’s “Tales of Wonder II.” Not that I haven’t produced anything since then.

May 2017 – RLT “Our Best” did include some original content though it was mainly a best-of show.

May 2017 – RLT Musical also was a re-hash of old musical numbers except for one new piece.

January 2018 – “For All Generations” was a re-designed show based on my 2014 RLT Players’ show.

April 2018 – “You’re a Good Man, Charlie Brown” – the Broadway Musical.

So finally, it’s coming, the new show:  “Crazy Love.” This is a MOSTLY original show. It does include two of my award-winning scripts from previous shows, but it is mainly new. Six new dramatic sketches and one mini-musical. This 9 piece production will be about one and a half hours long and it will be performed in our brand new campus’ brand new theatre! I can’t wait. Lots more to come on this later. But here’s the lineup.

CrazyLovegraphic1

Break a Leg: “It’s the End of the World & I Love You”

My short musical, “It’s the End of the World & I Love You” is being performed this week at the Kuala Lumpur Short & Sweet Musical Festival 2017. It’s being directed by fellow writer and director Terence Toh — though he admits this is his first hand at directing a musical. I think he’ll do great.

short and sweet musical 2017

 

I’m so sad that I won’t be able to see it live. But hey, there’s always video. And to commemorate the week, I’d like to leave the lyrics of the entire 10-minute musical below for your perusal. It’s a piece that is a lot of fun. I hope to get to produce it myself again in the future. Here you go. Enjoy!

It’s the End of the World and I Love You

A Short Musical

 

Lyrics by Mark W. Sasse

Music by Mark W. Sasse

 

Synopsis: In the split second before an atomic bomb destroys the world, two lovers sing a 10-minute musical.

Cast of Characters:         Husband & Wife

(optional) Ensemble

 

HUSBAND

Are you ready, dear? Wow, you look fantastic

WIFE

Thank you, dear, I’m nearly ready to go.

BOTH

And you made the reservations, right? I thought …

Now what do you suggest we do? Calm down. Calm down.

I thought I gave that job to you. Calm down. Calm down.

WIFE

I’m all dressed up with nowhere to go.

HUSBAND

Take a deep breath we’ll go with the flow?

Maybe the night will surprise us.

WIFE

I don’t like to be surprised.

(Suddenly an atomic explosion rings out and they witness a mushroom cloud forming in front of them. He is standing in awe, and she in disbelief.)

 

HUSBAND

It’s the end of the world, and I love you!

it’s the end of our life; full payment is due;

It’s the end of the world and I love you

so hold my hand, love

walk to our new life above

 

To the forest’s edge; it’s just a short trip

we’ll have a front row seat at the apocalypse

I’ll wear my best tie; you wear your red dress

cause there’s obviously no way out of this mess

we’ll kiss once more at the fireworks display

a gas mask is the accessory of the day

cause how can we compete with nuclear fission

someone dropped a bomb and completed their mission

I’m just a wishin’

they would have missed

but since they didn’t

why not kiss?

(one last time)

It’s the end of the world, and I love you!

It’s the end of our life; nothing more we can do;

It’s the end of the world and I love you

I’m happy to know, I’m here with you when life is through

 

WIFE

Pause.

There’s so many things that I enjoy about him,

He’s sweet, he’s kind

His kisses are sublime

But I hope you can tell by his latest thought

That at times he can be a complete idiot!

 

I can’t accept this fate

I have 50 years left I will not be moved

Just what is a mushroom cloud?

When I have resolve and rage in my heart.

Rage, rage, rage against the night,

And you could do more than just want to kiss (so typical)

Don’t go without a fight,

We fight for more than a moment left in time

Defiance, Defiance, Defiance, Defiance

Don’t resign to fate

Our more than 50 years still ahead (you listening?)

I want grandchildren

I want to hold them tight, safe secure, first we must endure,

Rage, rage against the night

And wipe that silly expression off your face (so comical)

This song we must re-write

This dress is meant for so much more than just an Ash Wednesday party,

Defiance, defiance, defiance, defiance!

 

HUSBAND

Calm Down Calm down

What is it dear?

WIFE

A thought I cannot bear.

 

You see fireworks I see flames

You see a final kiss, I see pain,

You say chill and I say run

You say stay, but I’m Attila the Hun

 

HUSBAND

You see ending I see your lips

You see crying I see a last kiss

You see heartache but I’ll admit

One moment with you is not so easy to quit

 

This might indeed be what we call the end

So let’s do what we couldn’t if we were just friends?

 

WIFE
You see a requiem, I see escape,

HUSBAND

You see a glimmer, but I see a drape,

WIFE

You see a final kiss, but I’ll admit

BOTH

One moment with you is not so easy to quit

HUSBAND

You should ask her about Y2K.

WIFE
Don’t bring that up.

HUSBAND

She built a bunker where we could stay,

WIFE
Would you shut up?

HUSBAND

And ever since she’s been putting canned beans away,

A case and a half every other day.

WIFE

Nothing wrong with a little foresight,

HUSBAND

You call that little?

WIFE

If we can get there you’d be contrite,

HUSBAND

I’d rather kiss.

WIFE
Would you rather be blown to smithereens,

Or live comfortably underground on 20 years of beans?

HUSBAND

She has 3000 pinto and 2000 black soy

Enough in itself to power fat man and little boy,

she thinks she can stop that from what it will destroy

by merely phoning Olympus like she’s Helen of Troy

WIFE

What do you want from me?

HUSBAND

Look danger in the mouth,

and smile when it’s near,

you’ll always be surprised of how few things that you fear,

if you eat a frog first thing in the morning,

a mushroom cloud will surely seem quite boring,

So purge your thoughts,

forget your past,

release your hopes,

and concentrate on the blast,

its magnificent power,

like the beating of my heart,

grip my hand and we’ll be split apart

WIFE

Just, just a moment ago

I was standing here my future all planned out when this

Cloud shielded my view

Of my futuristic fantasy of

1.7 kids and 2.7 dogs and

Years of PTO and teenager BO

But this big bang nightmare

ruined my eveningwear

HUSBAND

What’s wrong?

WIFE
It’s not the bomb.

HUSBAND

Then what’s wrong.

WIFE

I’m not that strong.

HUSBAND

What’s wrong

WIFE

This little song

HUSBAND

What’s wrong

WIFE

It’s not so long

HUSBAND

What’s wrong

WIFE

We don’t belong,

HUSBAND

What’s wrong

WIFE
Caught in this song

HUSBAND

What’s wrong

WIFE
This great big bomb

HUSBAND

What’s wrong?

WIFE

Does not belong

In our love song

HUSBAND

(speaking) What’s wrong?

WIFE

Tonight of all nights was the night of all nights

When I would tell you you’re having a son.

HUSBAND

A son?

WIFE
It’s okay. We can all go together now

 

To the forest’s edge; it’s just a short trip

To our front row seats at the apocalypse

HUSBAND

I’ll wear my best tie;

WIFE

I’ll wear my red dress

BOTH

cause there’s obviously no way out of this mess

we’ll kiss once more at the fireworks display

a pacifier will be the accessory of the day

cause how can we compete with nuclear fission

someone dropped a bomb and completed their mission

I’m just a wishin’

they would have missed

but since they didn’t

why not kiss?

(one last time)

It’s the end of the world, and I love you!

It’s the end of our life; nothing more we can do; (I finally understand what you’ve been going through.)

It’s the end of the world and I love you

I’m happy to know, we’re a family when our life is through.

My Play in Short & Sweet Kuala Lumpur: This Week!

A brand new short play of mine will be one of the featured plays this week at the Short & Sweet Theatre Festival Kuala Lumpur.

It’s a gritty piece called “Alone in a Bar,” about a desperate man in a bar, who comes in each day and drinks himself into oblivion. He never speaks a word, and he’s always distraught. On this particular day, another man and woman comes into the bar, and there seems to be some sort of abusive relationship going on, which brings some interaction with the silent man in the bar. It’s high tension and drama time!

Director, Vinna Law, decided to go a little different route with the piece and made it into a type of experimental theatre, with the voices pre-recorded, and a sound-scape to set the mood for the choreographed actions. I haven’t seen it yet. You can get a sneak-peek glimpse at a rehearsal video on the Facebook link below.

I’m flying down Friday to be there for evening show, and I can’t wait. It’s the third fifth time one of my plays or musicals have been in Short and Sweet KL, and I’m looking forward to it. Pictures and comments to follow this weekend.

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Now Available: Theatrical Duets

Drama directors, forensic coaches, drama teachers, or any lover of theatre. Here’s a great collection of duets which can be used for a variety of settings. It includes 4 award winning scripts, and 12 other unique, engaging, socially relevant scripts for all different settings. All of these have been theatre-tested in one way or another. I’ve used them in the drama classroom, for award-winning performances in forensics competitions, and as a part of serious theatrical performances.

Versatile, fun, meaningful. Please check it out and pass on the link to the drama folks in your life! Thanks.

Amazon Link HERE!

The Book Depository

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My Script Chosen! Top 10 finalist in Davenport 10-Minute Play Contest!

I was happy to see my brand new script “Safe Spaces” was chosen as one of the Top 10 finalists in the 4th Annual Davenport 10-Minute Play Contest!

And now, you can help! Besides being judged by Broadway insiders, it will also be judged by readers. So the readers’ choice could help make or break a script.

So please, head on over to the contest’s website and read this brand new script. It’s a satire about political correctness on college campuses. I had a lot of fun writing it two weeks ago on April 16. Yes, I wrote it in one day. I do things like that. The contest due date was April 17, so I may have cut it a little close.

But hey, I made the top ten, so that’s cool!

The contest site with all chosen scripts is HERE!

I’d love to here your thoughts on my script! Thanks.

Watch the Silver Medal Performance of My Script

Here’s the video link for my favorite young actors bringing home the silver medal at the SEA Forensics Competition using my new script, “Me, Myself, & the Bridge of Sighs.” I know I’m not biased, but I would have given them gold! Anyways, they were fabulous as usual. Enjoy this poignant performance by two bright shining talents.