What is Wrong With Us?

I’m worried about us. Humans, that is. And it has everything to do with cell phones.

I had my final show tonight. Seussical. A culmination of 3.5 months of hard work. It was a great show. I’m so proud of my actors and tech crew who pulled it off. But what I saw tonight sickened me. And it made me worry about us. Us humans.

I was sitting in the audience. That’s what I do as a director. When the show comes around, I always consider my work to be finished. So I enjoy the show from the house and see what my many months of work has produced.

I’m proud of this show. We had a lot of things go wrong, but we weathered the storm and put on a great show for the audience. But here’s where my worries enter.

Right in front of me was the uncle of one of the performers. And he couldn’t pay attention. At all. I mean at all. If he went a minute without checking his phone I’d be surprised. He came to the show, paid money for a ticket, was there to watch his nephew, and yet couldn’t pull himself away from his phone long enough to even pay attention to the show going on in front of him.

I’m worried. Very worried about us. Us humans.

He was looking at his Facebook feed. I mean studying his Facebook feed. The same feed he monitors all day long. And he couldn’t pull himself away from it for even a few minutes to watch a great production with his NEPHEW being one of the leads. No. That was too much. His Facebook feed was so compelling that he couldn’t look away.

What does that mean for us? It’s not good. These screens have become our dictators. Our gods. Our everything. And he (and it’s not only he, it’s many people) couldn’t bother to pay attention to what his nephew was doing on stage. (rather brilliantly, might I add) He couldn’t bother with actual life. He needed the virtual. He couldn’t pull away. He needed the feel of the screen — the thrill of the scroll. He turned his back on his own kin for a cheap thrill of a tiny screen.

I am sickened. For all of us. What will we become?

What is wrong with us?

My New Show: “Crazy Love”

This afternoon, I was thinking ahead a little bit about my new show coming up at the end of the year. It will be my first, all-original production since December 2016’s “Tales of Wonder II.” Not that I haven’t produced anything since then.

May 2017 – RLT “Our Best” did include some original content though it was mainly a best-of show.

May 2017 – RLT Musical also was a re-hash of old musical numbers except for one new piece.

January 2018 – “For All Generations” was a re-designed show based on my 2014 RLT Players’ show.

April 2018 – “You’re a Good Man, Charlie Brown” – the Broadway Musical.

So finally, it’s coming, the new show:  “Crazy Love.” This is a MOSTLY original show. It does include two of my award-winning scripts from previous shows, but it is mainly new. Six new dramatic sketches and one mini-musical. This 9 piece production will be about one and a half hours long and it will be performed in our brand new campus’ brand new theatre! I can’t wait. Lots more to come on this later. But here’s the lineup.

CrazyLovegraphic1

Ten Months in the Making: A New Beginning

It was in December 2016 that I accepted an offer to teach drama in Saudi Arabia.

Ten months later, in September of 2017, I am finally set to have my first class. Tomorrow.

This is a huge shift in many ways. I had a terrific position in Malaysia, a position which had few limits on creativity, and that time period fueled my love for writing, my love for drama, my love for all things theatrical.

However, it was time to move on, so when I signed on to this new adventure, I knew there would be a lot of waiting and work in the between time.

Now all of that is over, and like any good thespian, the butterflies are flitting their wings against my insides. Nervousness is a good thing. I teach my students to expect nervousness, to want it, to need it, to embrace it. It signifies change and risk-taking. Before the curtain goes up, you pace around in a death stare, pale-faced, jittery, mumbling lines and vocal exercises in a desperate attempt to keep you focused.

As the moment arises, you step out in character, playing a role, connecting a concept with people. Delving in below the surface and expressing a glimpse of the desires and struggles you went through to get to this point. And the lights crowd the stage, and the magic comes alive.

Acting or teaching acting. There’s not a lot of differences when it comes to preparation and implementation. It’s all smiles from there.

Tomorrow is the day when the curtain rises on my time in Saudi Arabia. I’m ready. Not perfectly prepared. But ready.

And when the students arrive and we start the process of developing our passion for drama, I will finally reach a 10-month goal which, at times, felt like would never come.

I’m excited. On with the show.

Farewell, Penang Performing Arts Centre (penangpac)! I will miss you!

Farewell, Penang Performing Arts Centre (penangpac)! I will miss you!

At the conclusion of my last show at penangpac yesterday, I was highly honored by my friends there with this amazing parting gift. This was completely unexpected. I was bowled over by their thoughtfulness. I have grown my theatre arts background and experience at their famous stage 1 and stage 2 venues. So I thought, as a way of reminiscing, I’d list all the shows I had a part in since penangpac opened in 2011. It’s quite a list, and I completely enjoyed everyone of them.  But first a look at this amazing gift – a commemorative pewter Malaysian kris (asymmetrical dagger). It’s so awesome!

penangpac gift

So here’s my chronological, penangpac drama/musical list. I’m so grateful for everything.

  • November 2011 – Stage 2 – “Romans on the Couch-INTERACTIVE” (writer, director, producer)
  • November 2011 – Stage 1 – “Romans on the Couch” (writer, director, producer)
  • December 2011  – Stage 2 – “RLT Players’ present The Road Less Traveled” (first RLT show ever! – writer, director, producer)
  • May 2012 – Stage 1 – “Life with Stewart” (writer, director, producer)
  • September 2012 – Stage 2 – Short & Sweet Theatre (writer)
  • November 2012 – Stage 2 – RLT Players “Drive All Night) (writer, director, producer)
  • May 2013 – Stage 1 – “Grandparents’ War” (writer, director, producer)
  • September 2013 – Stage 2 – Short & Sweet Theatre (writer, director)
  • November 2013 – Stage 2 – RLT Players “Captured in Time & Space”
  • May 2014 – Stage 1 – “Boardwalk Melody: A Musical” (writer, director, producer)
  • September 2014 – Stage 2 – Short & Sweet Theatre (writer, director)
  • November 2014 – Stage 2 – RLT Players “For All Generations” (writer, director, producer)
  • May 2015 – Stage 1 – “A Tad of Trouble: A Musical” (writer, director, producer)
  • September 2015 – Stage 2 – Short & Sweet Theatre (writer, director)
  • December 2015 – Stage 2 – RLT Players “Tales of Wonder”
  • May 2016 – Stage 1 – “The Secrets of the Magic Pool” (writer, director, producer)
  • September 2016 – Stage 2 – penangpac Black Box Experiments “How to Build a Dictator” (writer, actor, producer)
  • November 2016 – Stage 2 – Short & Sweet Theatre (writer, director)
  • December 2016 – Stage 2 – RLT Players “Tales of Wonder II” (writer, director, producer”
  • January 2017 – Stage 2 – “The Last Bastion: A Staged Reading” (writer, actor)
  • May 2017 – Stage 2 – RLT Players “A Collection of Our Best” (writer, director, producer)
  • May 2017 – Stage 1 – “RLT Musical Revue” (writer, director, producer)

Wow! That’s 22 theatrical productions I had the privilege of being part of at penangpac. I shall miss it all very much.

Thank you, penangpac! Hopefully we shall see each again one day.

 

 

It’s not the words. It’s the emotion behind the words.

I was working with one of my actors on a pivotal scene in our upcoming play. She gives a short speech which spurs on some tremendous societal changes. Yes, it’s a few lines of dialogue which changes the story dramatically. It’s the crucial point in the play.

The actor had not been getting it. The speech she has been giving in rehearsal has been flat and unemotional. Today, I pulled her aside to correct it, and I started by saying: “It’s not the words. Don’t worry about what you are going to say. Work on how you prepare to say the words.”

First off, as a playwright, I was horrified at myself. Don’t worry about the words??? Am I crazy? But as a director, I needed to shift her away from the words because the words were hollow to her. I told her, if she can put herself in the right emotional state, then the words will flow appropriately and I won’t even have to tell her how to say the words. She will say them authentically.

So we put down the script, and we walked through the scene. We focused on the action, the moment, the setting, the character’s emotional connection to what had just happened. Then we designed a set of actions, a slow plodding walk, a purposeful turn, hands coming to her face. We dug deep into the feelings she had, the sadness she felt about what had happened. She forced herself to block our her surroundings and focus on the feeling in her chest.

She walked slowly into position, she raised her hands over her face, she put her head down, then lifted her eyes into the auditorium and started to speak. Her voice crackled, slight tears formed in the corners of her eyes, and she raised her voice strong and spoke the words – words which at the last rehearsal were flat and ineffective. Now they were purposeful, emotional, powerful, and perfect.

Young actors focus so much on the words, wondering how to say the lines. But a little exploration of the scene and some purposeful movement and trigger mechanisms can make the words flow naturally from the emotion and action of the actor. This is when the magic happens.

So, playwright, at times you have to take a back seat because the meaning of the words will only reach peak impact if they are said with the emotion and attitude of the actor.

Well done, young actor. And that was just one short rehearsal. I can’t wait to see the final result.

Coming Soon

Coming soon:

OurBestPosterBoard

Here’s a little graphic I put together about my upcoming show. It’s a collection of comedic and dramatic sketches I’ve written over the past seven years. My good friend Doug is directing Act I while I have the helm for Act II.

It’s going to be a bittersweet look back of what we have accomplished from an ensemble standpoint. Typically, RLT maxes out at 12 members, but we extended the casting for this very special show, and it’s worked out great. I have some directing insight I want to share on a later post. I’m finally figuring out what kind of director I am.

Oh, and look: Could that be our sometimes movie review guest columnist Inha Kim in the middle of that photo? Could be.

I can’t wait for this show: May 12-13 @ penangpac.

Theatre: The Open Art Form

I enjoyed giving a mini-lecture to my Intro to Theatre Arts class today about the topic, “What is theatre?”

Theatre is many things, but most importantly, it’s an open art form. The live audience makes it unique and ever-changing. The interaction with the audience makes every performance different. It can inspire the actor to achieve heights previously not achieved. It can deflate the actor when the audience is “dead” or when they don’t laugh at a crucial part or, even worse, when they laugh at a dramatic climax.

But it’s this interaction which thrills and elevates live theatre to terrific peaks.

One of the fascinating aspects of live theatre is that during the intermission, while the audience is mingling and chatting about the performance, the actors are indubitably back stage chatting about the audience. Is it a good audience?  Is it a bad audience? Are they catching the jokes? Were they brought to tears? What in the world is wrong with them? What can we do to get them more involved? Yesterday’s crowd was much better.

I’ve heard all of these and more about the audience during intermission. Actors are fragile beings in this way. They  need the encourage, support, and utter love from the audience. They crave it. They demand it. And if they don’t get it, their egos will never be the same (or at least until they have a better audience the next night.)

Live theatre inspires me, so I love to inspire students to try this completely wonderful art form. It’s a life-changing experience. It’s a unique open art form. It’s the stage, baby! Love it if you dare!